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There's also a completely separate vowel harmony process in some Spanish dialects that have an alternation between high and low vowel allophones. An open allophone at the end of a word triggers using the open allophone in preceding syllables' vowels.

Wikipedia gives some examples:

In Eastern Andalusian and Murcian Spanish, word-final /s/, /θ/ and /x/ (phonetically [h]) regularly weaken, and the preceding vowel is lowered and lengthened:

/is//is/[i̞ː][i̞ː] e.g. mis [mi̞ː][mi̞ː] ('my' pl)
/es//es/[ɛː][ɛː] e.g. mes [mɛː][mɛː] ('month')
/as//as/[æ̞ː][æ̞ː] e.g. más [mæ̞ː] [mæ̞ː] ('plus')
/os//os/[ɔː][ɔː] e.g. tos [tɔː]   [tɔː] ('cough')
/us//us/[u̞ː][u̞ː] e.g. tus [tu̞ː]   [tu̞ː] ('your' pl)

A subsequent process of vowel harmony takes place so that lejos ('far') is [ˈlɛxɔ], tenéis ('you all have') is [tɛˈnɛi] and tréboles ('clovers') is [ˈtɾɛβɔlɛ] or [ˈtɾɛβo̞lɛ].

  • lejos ('far') is [ˈlɛxɔ],
  • tenéis ('you all have') is [tɛˈnɛi] and
  • tréboles ('clovers') is [ˈtɾɛβɔlɛ] or [ˈtɾɛβo̞lɛ].

They give a citation:

  • Lloret, Maria-Rosa (2007), "On the Nature of Vowel Harmony: Spreading with a Purpose", in Bisetto, Antonietta; Barbieri, Francesco, Proceedings of the XXXIII Incontro di Grammatica Generativa, pp. 15–35.

There's also a completely separate vowel harmony process in some Spanish dialects that have an alternation between high and low vowel allophones. An open allophone at the end of a word triggers using the open allophone in preceding syllables' vowels.

Wikipedia gives some examples:

In Eastern Andalusian and Murcian Spanish, word-final /s/, /θ/ and /x/ (phonetically [h]) regularly weaken, and the preceding vowel is lowered and lengthened:

/is/[i̞ː] e.g. mis [mi̞ː] ('my' pl)
/es/[ɛː] e.g. mes [mɛː] ('month')
/as/[æ̞ː] e.g. más [mæ̞ː] ('plus')
/os/[ɔː] e.g. tos [tɔː] ('cough')
/us/[u̞ː] e.g. tus [tu̞ː] ('your' pl)

A subsequent process of vowel harmony takes place so that lejos ('far') is [ˈlɛxɔ], tenéis ('you all have') is [tɛˈnɛi] and tréboles ('clovers') is [ˈtɾɛβɔlɛ] or [ˈtɾɛβo̞lɛ].

They give a citation:

  • Lloret, Maria-Rosa (2007), "On the Nature of Vowel Harmony: Spreading with a Purpose", in Bisetto, Antonietta; Barbieri, Francesco, Proceedings of the XXXIII Incontro di Grammatica Generativa, pp. 15–35.

There's also a completely separate vowel harmony process in some Spanish dialects that have an alternation between high and low vowel allophones. An open allophone at the end of a word triggers using the open allophone in preceding syllables' vowels.

Wikipedia gives some examples:

In Eastern Andalusian and Murcian Spanish, word-final /s/, /θ/ and /x/ (phonetically [h]) regularly weaken, and the preceding vowel is lowered and lengthened:

/is/[i̞ː] e.g. mis[mi̞ː] ('my' pl)
/es/[ɛː] e.g. mes [mɛː] ('month')
/as/[æ̞ː] e.g. más [mæ̞ː] ('plus')
/os/[ɔː] e.g. tos   [tɔː] ('cough')
/us/[u̞ː] e.g. tus   [tu̞ː] ('your' pl)

A subsequent process of vowel harmony takes place so that

  • lejos ('far') is [ˈlɛxɔ],
  • tenéis ('you all have') is [tɛˈnɛi] and
  • tréboles ('clovers') is [ˈtɾɛβɔlɛ] or [ˈtɾɛβo̞lɛ].

They give a citation:

  • Lloret, Maria-Rosa (2007), "On the Nature of Vowel Harmony: Spreading with a Purpose", in Bisetto, Antonietta; Barbieri, Francesco, Proceedings of the XXXIII Incontro di Grammatica Generativa, pp. 15–35.
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There's also a completely separate vowel harmony process in some Spanish dialects that have an alternation between high and low vowel allophones. An open allophone at the end of a word triggers using the open allophone in preceding syllables' vowels.

Wikipedia gives some examples:

In Eastern Andalusian and Murcian Spanish, word-final /s/, /θ/ and /x/ (phonetically [h]) regularly weaken, and the preceding vowel is lowered and lengthened:

/is/ → [i̞ː] e.g. mis [mi̞ː] ('my' pl)
/es/ → [ɛː] e.g. mes [mɛː] ('month')
/as/ → [æ̞ː] e.g. más [mæ̞ː] ('plus')
/os/ → [ɔː] e.g. tos [tɔː] ('cough')
/us/ → [u̞ː] e.g. tus [tu̞ː] ('your' pl)

A subsequent process of vowel harmony takes place so that lejos ('far') is [ˈlɛxɔ], tenéis ('you all have') is [tɛˈnɛi] and tréboles ('clovers') is [ˈtɾɛβɔlɛ] or [ˈtɾɛβo̞lɛ].

They give a citation:

  • Lloret, Maria-Rosa (2007), "On the Nature of Vowel Harmony: Spreading with a Purpose", in Bisetto, Antonietta; Barbieri, Francesco, Proceedings of the XXXIII Incontro di Grammatica Generativa, pp. 15–35.