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What is the rationale for considering di-, tri- &co. -phthongs separate entities? Why aren't these sounds interpreted as sequences of a vowel and a glide? How would be linguistics deficient if aliens came to Earth to erase the term from everyone's memory?

(I am interested in both, the historical reasons (Latin or Greek grammarians, I suppose?), and the modern rationale for continuing to use the term.)

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    I marked the question answered, because it is, but if anyone has more examples, I'll still be happy if they cared to share.
    – kamil-s
    Commented Mar 6, 2012 at 17:26

3 Answers 3

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It is useful to define a linguistic unit when there is evidence that some linguistic process is sensitive to that unit. For example, phonologists and phoneticians have long recognized that the concept of a syllable is a useful one due to evidence from scansion in poetry, syllable-final devoicing, processes related to stress and tone, phrase- and utterance-final syllable lengthening processes, etc.

Similarly, there are many processes that are easiest to describe when we are able to make reference to a diphthong as a unit. In "English Phonology", John Tillotson Jensen raises three sources of evidence for the diphthong as a unit in English:

  1. Backwards speech games - People who are asked to say the word "choice" backwards generally say [sojʧ] (and not [sjoʧ]), indicating that they are treating the vocalic portion of the word as a single unit.
  2. Syllabification - Glides can behave as syllable onsets, but words like Toyota are syllabified as toy.o.ta, suggesting that /oj/ is treated as a single unit (c.f. the Japanese syllabification to.yo.ta).
  3. Vowel shifts - Historically, many diphthongs are the result of vowel shifts that affected single vowels (e.g. the /aj/ diphthong in divine—c.f. divinity)

In addition, it is common to observe dialectal differences that revolve around diphthongs. For example, in many dialects of English spoken in the south of the U.S., the /aj/ diphthong is "monophthongized" and produced as [aː] (where [ː] is the symbol for "long"). It makes sense to think of this phenomenon as monophthongization as opposed to "glide dropping" because those same speakers still produce the /j/ glide as [j] elsewhere, including after /a/ (i.e. a speaker that says [aː.ɛs] for I.S. will still say [aː.jɛs] for ah yes).

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  • This is a convincing answer, thank you. If any more examples come to your mind some day, please share them, too.
    – kamil-s
    Commented Mar 6, 2012 at 16:58
  • Еру The reason for syllabification toy.o.ta in English is that otherwise the o should be read [ou].
    – Anixx
    Commented Nov 16, 2014 at 22:28
  • "e.g. the /aj/ diphthong in divine" - bad example, The pronounciation of divine is a result of migration of the final e. [divine]->[divien]->[divaen]->[divain]
    – Anixx
    Commented Nov 16, 2014 at 22:30
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    @Anixx not sure where you learned that, but there was no "migration" of the final e. The Great Vowel Shift is one of the most well-known and well-documented series of historical sound changes. In Middle English, the stressed vowel in words like divine and time was pronounced as a long monophthong, [i:]. The final letter e in such words was already silent by the 13th century. But over the following centuries, the long monophthong diphthongized to [ɪi], then most likely to [əɪ] and finally to Modern English [aɪ] (or [aj]). Commented Nov 17, 2014 at 3:07
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I'll concentrate on the historical part of your question as others are doing well on the modern work. As you've suspected from the etymology, the term δίφθογγος is Ancient Greek (diphthongos, borrowed into LL as diphthongus) and was already in broad use by the 2nd century CE - e.g., Terentianus writes:

Porro vocalem secuta vim tenet vocalium
Et sonos utrosque jungit, unde diphthongos eas
Græciæ dicunt magistri, quod duæ junctæ simul
Syllabam sonant in unam

Moreover the following vowel has the force of a vowel
And joins both sounds; whence the diphthong,
The Greek masters say: the two joined together
Sound as one syllable.

...and just as old are arguments about it. Is the diphthong two, or is it one? Is it a single sound regarded as a unit, or two sounds yoked together? Pennington's 1844 An Essay on the Pronunciation of the Greek Language reveals this term has provoked long disagreement since classical times.

Now, because there has been a single term for the diphthong, we can say that it has been regarded as a single entity (of some type) since classical times, though its nature has been disputed. The ancients did know that a diphthong was sounded in a single syllable; they typically regarded as the syllable as the smallest unit of sound. So I think that our own usage today of diphthong as being in some sense a 'single sound' is a relic (correct or incorrect, as others discuss) of that time.

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  • An interesting aside about the Ancient Greek diphthongs is how they have changed over time; back glides consonantalized and are no longer diphthongs but sequences of V+C: /au/ /eu/ /ɛːu/ became /av/ /ev/ /iv/. The front-glide diphthongs all monophthongized: /ai/ became /e/ and /ei/ /oi/ /ui/ all became /i/. So modern Greek really has no true diphthongs. Commented Mar 6, 2012 at 19:12
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    That's a nice answer, thank you. You're right I had a supposition it would be a relic. The English examples, however, show that it really is treated as something different by many speakers. I might have been misled by Polish where vowel-glide sequences are aplenty, but I don't think they deserve an independent status. Interesting, how theoretically the same sound can be regarded differently in different languages.
    – kamil-s
    Commented Mar 7, 2012 at 8:46
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Outside of the dominant 'Phoneme Theory' in Phonology there are other explanations out there (gaining ground I believe) such as 'Element Theory' and in this theory, these would not be considered individual units at all. Just so you know not 'all' models of Phonological Theory subscribe to this notion.

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