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I have seen references in the literature on vowel harmony to the possibility of it being a mere epiphenomenon rather than a phonological phenomenon in its own right (e.g. using alignment, agreement or spreading constraint in an OT-style anaylsis), but it's never much more than lip-service. Would anybody be able to point me to work conducted from this perspective or that comes to this conclusion?

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I think you'll have problems with the addition "phenomenon in its own right". Linguists tend to reduce all facts to being "epiphenomenal", and dislike admitting any "phenomenon in its own right". This is actually reasonable from a theoretical perspective, since I think it amounts to saying "this pattern of facts can be further analysed, and reduced to interaction between independent theoretical elements" – in other words, "vowel harmony" is not an atomic fact of language completely unrelatable to "nasal assimilation" or "voicing harmony".

Work in OT, for example, tends to say that the facts that a rule (such as the vowel harmony rule of Finnish) would cover are "epiphenomenal", because there isn't one single thing that embodies the generative rule of vowel harmony, rather there is a collection of constraints and rankings which express the generalization about vowel harmony. It might be tempting to define "epiphenomenal" as "requires at least two independent theoretical concepts to express", but then a rule-based account of vowel harmony would also be "epiphenomenal" (it calls on concepts of "feature", "class of segments defined by features", "structural description", "structural change", "direction").

Thus I think most formal accounts of vowel harmony see VH itself as "epiphenomenal". It is possible that a "typological" perspective sees VH as an unanalyzable primitive, but I'm not a typologicalist so I won't make a claim abot that kind of approach.

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  • I'm not familiar with the literature on phonological typology, but I think a typological approach wouldn't really see VH as an unanalysable primitive, but a phenomenon motivated by phonetic factors like ease of articulation. The ultimate aim of typology, after all, is to uncover the functional motivations behind variation and universals... – WavesWashSands May 6 '17 at 18:35
  • There are two trends in typology. One is OT-like (the main trend), which attempts to reduce the range of variation of language to interaction of simpler concepts, and that's not what I'm referring to. The other is, I suppose we can call it, "holistic typology", is not reductionist, and here I have in mind the Greenberg tradition. – user6726 May 6 '17 at 19:51
  • Actually I do have the Greenbergian tradition in mind, and I actually think the Greenbergian and OT traditions are fairly similar in spirit (Haspelmath for example has expressed a preference for OT over traditional generative grammar) the main differences being that Greenbergians approach explanation from a diachronic perspective whereas OT & co. are strictly synchronic, and that Greenbergians tend to reduce phonology and morphosyntax to phonetics, semantics and pragmatics, whereas 'generative typologists' tend to reduce them to more abstract concepts. – WavesWashSands May 7 '17 at 3:31
  • Though I'm probably misunderstanding what an unanalysable primitive/reductionism is... (I've never quite understood what 'reductionism' actually means because it seems to mean fairly different things in different contexts.) – WavesWashSands May 7 '17 at 3:32

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