I was reading Introduction to Phonetics and Phonology (Authors and page numbers will be added when I get my iPad back). And I am learning the concept of 'F0' for the first time. enter image description here

So according to this section of the book, F0 seems to vary for people of different genders and ages. My question is about how the value of F0 for [æ] is assigned? This question is in special regard to the following part from the above quoted textbook:

During the production of [æ] the vocal cords may be vibrating at about 100 hz and the first formant (F1) is about 500 hz.

Now according to this book's definition of F0 at the very beginning of 5.2.1 Vowels and sonorants:

For voiced speech sounds we distinguish fundamental frequency (symbol: F0), the frequency at which the vocal chords are vibrating.

So, if during the production of the vowel [æ], the vocal cords may be vibrating at a frequency of 100 hz, 500 hz, 1100 hz, etc. What makes 100 hz the F0? If it's because 100 hz is the smallest in value, why doesn't it say in the definition of F0 that F0 is the lowest possible frequency at which the vocal cords of a certain person may be vibrating when producing a certain sound?

  • F0 is not the lowest possible frequency – like all formants, it’s the actual frequency. What makes F0 100 in your example is that the vocal cords themselves are vibrating at a frequency of 100 Hz. The other formants do not deal with the movements of the cords, but of the resonance caused by the air travelling through the vocal tract. (And F0 would never be 1100 Hz; that’s far too high. High-pitched children’s voices have F0 as far as 500 Hz; I don’t know much about singing, but I think 1100 Hz would be beyond even sopranos.) Jul 30 at 11:58
  • But if F1 for [æ] is 500 hz, which is like you said, an actual frequency at which vocal cords are vibrating, then what makes 100 hz the F0 if not for the fact that this is the lowest frequency at which the vocal cords may be vibrating for the articulation of the vowel [æ]?
    – Jenny
    Jul 30 at 12:16
  • No, if F1 is 500 Hz, that’s not the frequency the cords are vibrating at – it’s about five times what the cords are vibrating at. The frequency of the cord vibration is F0, not F1. If the cords vibrate at 500 Hz, F1 will likely be somewhere around 2500 Hz, since the first formant tends to be around the fifth harmonic = five times the frequency that the cords vibrate at. Jul 30 at 12:22
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    Those are frequencies that all exist as part of the sound that comes out of your mouth. The human voice isn’t just a single frequency, it’s a very complex sound that spans a broad range of frequencies, with certain ‘areas’ of that range being particularly emphasised. The fundamental frequency is what the cords vibrate at; formants F1–F3 are simply higher areas in the same single sound being produced. What creates the distinction between vowels is which areas are emphasised, and by how much. Roughly, F1 low → high = vowel high → low; F2 low → high = vowel back → front. Jul 30 at 12:37
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    So if your vocal cord vibration (F0) is at 100 Hz (fairly deep male voice), your F1 is at 300 Hz, and your F2 is at 600 Hz, you’re probably saying an [u]. If your F0 is 100 Hz, F1 is 300 Hz and F2 is 2400 Hz, you’re probably saying [i]. Jul 30 at 12:40

2 Answers 2


Any complex waveform (sequence of numbers) can be mathematically decomposed into a sum of sine waves of different amplitudes and frequency: this includes hissing and crashing sounds that you don't think of as having periodic vibrations. The analysis is based on dividing the possible frequencies into an even number of frequency bands that is a power of 2 (it is possible but much slower to divide the frequency range into e.g. 287 bands).

Certain kinds of sounds (vowels especially) have repeated high-amplitude sections at multiples of F0 (the number of interest here), for example 150, 300, 450, 600... and these are the "harmonics". If you look at a "spectral slice" of a sustained vowel, you see a bunch of spikes and valleys – the spikes are at that harmonic frequency, the valleys are the other stuff. Often, the spikes and valleys become indistinguishable mush. F0 is the first of those harmonics – it's the thing that other harmonics are multiples of.

This way of talking about frequency and harmonics is appropriate for vowels, but not for fricatives like [s] and [z]. The reason why this works for vowels is that the vocal folds vibrate (more or less) regularly during the production of the vowel. Therefore, there is enough of a repeating signal that you can sensibly ask "how often does this pattern repeat in a given period of time?". If the vocal folds don't vibrate, or vibrate chaotically, you can't answer the question.

Computing F0 presupposes that you are looking at a vowel-like sound that has regular harmonics. The idea of the computation is based on the fact that the shape of the waveform (during the vowel) will have a characteristic shape that repeats, and the rate of repetition is the frequency information that you seek. The actual computation requires / allows you to specify certain properties, the most important of which is having a good guess what the value of F0 is likely to be (80 vs. 500). There are points at which a vowel is so irregular in its production that you cannot meaningfully compute F0. It is a classical phonetic learning technique to look at a narrow band spectrogram where you can see the horizontal stripes, count 10 up, get the frequency of that harmonic, then divide by 10 to get F0. But I don't think that technique is used much in practical applications.

The underlying mathematical theory is that the speech signal has two source of energy: air pulsing through the glottis roughly in the shape of a triangular wave which provides most of the energy, and lower-amplitude turbulent noises where air passes through narrow channels (created by the tongue). Other factors about the cavity above the glottis shape that buzzing triangular wave into things that sound like vowels. Computation of F0 simply asks, how often does the triangular shape repeat itself. Computation of the amplification vs. suppression of some of those harmonics is a separate process.

In my opinion it is a mistake to say that the vocal folds are vibrating at 100 Hz as well as 200 Hz and 300 Hz – that's a contradiction. Instead, the vocal folds are simply vibrating at 100 Hz, and you can directly measure that. The result of that vibration is an acoustic waveform that can be mathematically decomposed into amplitude-at-frequency information. If the signal contains information up to 10,000 Hz, you can divide the amplitude information into 2 frequency bins, or 4, or 16... the larger the number, the more precise the frequency calculation. Typically (the user can use atypical settings for the calculation), there is some low amplitude number assigned to frequency range 1, 2 and so on and then as you approach F0 or a multiple of F0, amplitude rises, then falls after that peak. The peak is a "harmonic".

TL;DR – it's about the mathematical analysis of complex waveform, as first understood by Joseph Fourier.

  • I thank you genuinely and whole-heartedly for this litany of an explanation, stranger phonetician from the Internet. You rock!!
    – Jenny
    Jul 30 at 19:11

You simply need to analyze the spectrogram of the sound wave. In principle, you get a graph with certain peaks. The fundamental frequency F0 is such that most of the important peaks occur at frequencies Fn such that Fn = k*Fn.

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